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realistic amateur photo of Lionel Messi wearing black tuxedo, with their tongues sticking out, in front of the promotional posters at the movie's press conference. The press conference venue was packed with audience members.

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realistic amateur photo of dwayne johnson wearing Fitness Vest, showing off his biceps., in front of the promotional posters at the movie's press conference. The press conference venue was packed with audience members.

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Minimalist Chinese watercolor painting of a tiger in a forest.

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a sloth hanging upside down from a branch in the rainforest. The sloth looks inquisitively at the camera.

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An Asian chef is stir-frying at a roadside stall in an old-fashioned black ironpot, creating a vibrant and lively atmosphere.

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a white spacesuit with a reflective visor, waving with a gloved hand. The astronaut, who appears to be female with short dark hair, is in a space environment. Behind her, a large, glowing explosion of debris and fire contrasts against the dark space backdrop. The scene captures a dramatic moment of space exploration, emphasizing the astronaut's protective suit and the intense, chaotic energy of the explosion.

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设计一张名为“黑石烘焙”的烘焙店商业广告海报，以双色调背景（上部为浅桃色，下部为灰玫瑰色）展示了三款不同的水果蛋糕。在上半部分，用红棕色大号中文字体写着“0脂&轻负担”。其下方是较小的白色文字“(当季新鲜水果)”。主标题下方印有红棕色无衬线字体的英文“Cake”。左侧，一个装饰着红色覆盆子、石榴籽和绿色嫩枝的蛋糕放在一个浅色木质底座。右侧，另一个放在更高木质底座上的蛋糕顶部有无花果、葡萄和蓝莓。右下方，第三个蛋糕放在一个白色盘子上，覆盖着橙色柿子酱，顶部有柿子和一朵干花。在蛋糕之间，一杯石榴籽洒落在台面上。左下角有两个新鲜的柿子。海报为每个蛋糕都附有描述性文字：“留红石¥119”，配料为“酸奶芝士奶油”，规格为“规格: 10.5cm*10.5cm”；“有花香 ¥139”，配料为“酸奶芝士奶油·无花果酱”，规格为“规格: 10.5cm*10.5cm”；以及“秋柿早 ¥129”，配料为“柿子奶油·柿子酱”，规格为“规格:

10.5cm*10.5cm”。品牌名“黑石烘焙”位于左下角。右下角写着“(新品尝鲜)”。该图像是一张高质量的影棚摄影作品，光线柔和温暖，营造出诱人而洁净的美感。

vertical movie poster for the film "Come Back Home Often." created by Master of Oil painting.The artwork is a unified digital painting with a heavy impasto texture, mimicking thick oil paint strokes applied with a palette knife. The central focus is a massive, abstract figure rendered in thick, textured white paint, resembling a giant bird or a stylized human form. This white shape is set against a dark navy blue background that is densely covered with small, stylized flowers painted in vibrant red and white, with green stems. In the bottom right corner, two elderly people are depicted from behind, walking away from the viewer. One person, slightly ahead, wears a purple jacket and uses a wooden cane. The other, slightly behind, wears a greyish-blue jacket. Their bodies are truncated at the ankles by the bottom edge of the frame. The overall style is surreal and symbolic, with a high-contrast color palette dominated by deep navy, white, and red. Text control: all lettering is fully integrated into the painted surface with identical heavy impasto, each character exhibiting raised ridges and knife-scraped edges that catch ambient light. In the top left corner, in white sans-serif strokes sculpted with thick, palette-knife ridges, the words “Z-Image” appear, and directly beneath them, still in raised impasto, “Visionary Creator.” In the bottom left, the Chinese title is rendered in large, white, cursive calligraphy (草书 style) built up from layered, knife-pressed paint: “常回家看看”, its down-strokes showing visible paint peaks. Below this, in a smaller white serif font whose letterforms are similarly embossed with raised impasto, reads the English title:“Come Back Home Often.”

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close-up ultrawide 14mm documentary-style shot taken inches from a speeding motorcycle on a coastal highway, frozen mid-action at 1/4000s shutter, the rider blasting through a puddle that sends a massive wall of water exploding toward the lens, sunlight slicing through the droplets creating real rainbow micro-flares, razor-sharp reflections on the wet asphalt,GoPro-level distortion on the edges, gritty textures on the bike, salt spray on the lens glass, mootion blur streaks in the background cliffs and occean waves, pure RAW realism,no fantasy, just insane timing and high-end ccamerra gear capturing a once-in-a-lifetime moment

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A surreal, Giger-esque fusion of organic and mechanical - the protagonist is a woman grown from biomechanical flora, her skin a lattice of pulsating vascular tubes and iridescent chitin plates, her joints articulated with sinewy tendons and brass pistons. She leans back against two washing machines that are living organisms - their drums are beating hearts encased in glass, their control panels are clusters of blinking eyes and fleshy buttons. Pose: seated with legs splayed wide, knees bent, left foot planted firmly on the floor (which is a membrane of living tissue), right foot slightly lifted; arms resting on thighs, holding a magazine whose pages are thin slices of neural tissue displaying flickering memories. She wears white sunglasses made of calcified cornea, their lenses filtering reality into hallucinatory hues. Her hair is a crown of thorned vines that whisper when touched. Her sneakers are symbiotic growths - part shoe, part organism - with roots digging into the floor. Beside her: a blue laundry basket made of woven muscle fibers holds “clothes” that are shed layers of her own shin, still twitching. The soda can is a vial of glowing bio-fluid that hums with cellular activity. Mood: impossible yet visceral - textures are hyper-real, sounds echo in your bones, and the air thrums with biological rhythm. Every surface breaths, pulses, or secretes.

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杂志封面设计。 文案：大标题“「造相」Z-Image”。 小标题：“Winter Release. Spring for Generative Art.”。 版本号：“ VOL 1.0”。 中间底部极小字“通义多模态交互出版社”。 拉开一片白雪茫茫下的拉链，拉链下漏出绿草鲜花的春天，移轴微距，拉链是一个冒着白烟远去的火车头，精美构图，夸张的俯视视角，视觉冲击力，高对比度，高饱和度。

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一幅垂直构图、风格化的数字插画，设计为一张励志海报。场景描绘了夜间的沙漠景观，头顶是广阔无垠、繁星密布的天空，其中银河清晰可见。前景和中景以深蓝色近乎黑色的剪影为特色。左侧，一棵巨大而细节丰富的约书亚树剪影占据了画面主导。更远处可以看到两棵较小的约书亚树。右侧，两个人的剪影站在一个小山丘上，仰望着天空。天空从底部的深海军蓝过渡到顶部的浅蓝色，布满星辰，明亮的银河带以柔和的白色、紫色和蓝色调，从右上角划过。图像上覆盖有五处独立的渲染中文字样。顶部是白色大号字体，内容为“于无垠黑暗中，寻见你的微光”。在中间靠近人物的位置，有较小的黑色字体写着“心之所向，宇宙回响”。在最底部，是白色大号艺术字的主标题“仰望·逐梦”，其下方是稍小的白色字体“心的旅程由此开始”。在山丘上靠近人物的地方，有一个非常小、几乎隐藏的黑色签名“观星者”。整体风格图形化且简约，将扁平的剪影与细节更丰富、富有绘画感的天空相结合，营造出一种深沉、引人深思且充满希望的氛围。

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竖排行书书法作品特写，以米白色带浅淡肌理的半生熟宣纸为载体，纸张带有自然轻微褶皱，质感温润柔和；黑色墨汁书写的行书字体，笔锋粗细变化灵动，如“人”字捺笔舒展劲挺、“志”字连笔婉转流畅，墨色层次丰富，部分笔画带自然飞白效果，尽显苍劲洒脱的书写张力；文字按传统从右至左竖列排布，可见“人扶我青志”“我自踏雪至山巅”等词句，左侧配有“造相大师”落款小字，纸面点缀多枚朱红方形篆刻印章，印泥色泽饱满、印文线条清晰；多张书法纸呈轻微重叠的错落摆放，背景隐约露出其他纸张的淡色字迹，营造出随性的创作氛围；光线为柔和自然光，均匀铺洒在纸面，凸显墨色的光泽与纸张的纹理褶皱，造梦师的诗意视觉风格，整体氛围雅致古朴，兼具手写书法的灵动随性与传统文房的沉静质感。